According to SFMOMA curator Harry Urbeck, our new data piece—titled Under Vine—has greeted over 50,000 museum visitors since the new exhibition How Wine Became Modern opened a month ago. Physical visitor numbers can seem strange in our cultural bubble dominated by web visitors. (For example, Browser Pong reached 50,000 unique visitors within just twelve hours of posting the URL.) We are very pleased with the physical foot traffic and wish everyone the happiest of holidays.
Our new collaboration with Robert Gerard Piertrusko and Bernd Lintermann premieres today at the opening reception for The Global Contemporary: Art Worlds After 1989 in Karlsruhe, Germany. trans_actions is a panoramic data visualization that illustrates the dramatic increase in the number of biennales of contemporary art and the rapid expansion of the art market following the end of the cold war. Visitors enter a large panoramic projection room bathed in animated data representing artists, curators, biennales, and market fluctuations. (Panoramic video projection, 8192 × 1024 at 25 fps. Approximate running time twenty-five minutes.) Click here to view the trans_actions project page.
ASCII lyric vids are music videos made primarily of a song’s lyrics rendered as computer text and animated over time to pair with the vocals. [What is ASCII?] These pure lyric vids are distinct from representational ASCII art vids which use glyph shapes as abstract textural components, rather than as text meant to be read. These genres are not mutually exclusive, however. [What is ASCII art?] To celebrate being blown away by the new
Petula Clark video, here are a few notches in the genre listed in reverse-chronological order. If you know of more do mention it.