Items related to Bronson



On exhibit in Berlin: Trans_actions

Friday. 15 February 2013. 20:00 UTC
My 2011 collaboration with Bernd Lintermann and Robert Gerard Pietrusko—titled trans_actions: The Accelerated Art World 1989–09—is currently on display at the Akademie der Künste in Berlin in the Nothing to Declare exhibition until May 26th. For more information, video, images, and a complete list of collaborators on the original piece see trans_actions: The Accelerated Art World 1989–09.

Goodbye 2011

Thursday. 22 December 2011. 18:00 UTC
The year is at its end—a moment to reflect upon twelve months of experiments, achievements, and blunders. 2011 opened with multiple trips to Karlsruhe, Germany to collaborate with the ZKM Center for Art and Media on a very early version of trans_actions. In February Stewart served on the judging panel for TED’s Ads Worth Spreading competition and tutoring a month long workshop at the RCA with Jürg Lehni. April was packed: More visits to ZKM, the Creativity and Technology conference posted my Code Play lecture video, Paola Antonelli wrote an article for Domus about data visualization that used Exit as an example, and I posted some odd X-Files triptychs. More after the jump…

Premiering today: trans_actions

Friday. 16 September 2011. 16:00 UTC
Our new collaboration with Robert Gerard Piertrusko and Bernd Lintermann premieres today at the opening reception for The Global Contemporary: Art Worlds After 1989 in Karlsruhe, Germany. trans_actions is a panoramic data visualization that illustrates the dramatic increase in the number of biennales of contemporary art and the rapid expansion of the art market following the end of the cold war. Visitors enter a large panoramic projection room bathed in animated data representing artists, curators, biennales, and market fluctuations. (Panoramic video projection, 8192 × 1024 at 25 fps. Approximate running time twenty-five minutes.) Click here to view the trans_actions project page.

Coming soon: trans_actions

Monday. 22 August 2011. 11:00 UTC
Our latest panoramic data animation—titled trans_actions: The Accelerated Art World 1989–09—premieres next month in a new exhibition titled The Global Contemporary. Art Worlds After 1989 at the ZKM | Museum of Contemporary Art in Karlsruhe, Germany. The piece is a collaboration with Bernd Lintermann and Robert Gerard Piertrusko, and was made possible by the Global Art and the Museum (GAM) department of ZKM headed by Hans Belting and Andrea Buddensieg. More details to follow.

ZKM, one week in

Sunday. 10 April 2011. 17:00 UTC
One week down and one to go here at the Center for Art and Media (ZKM) in Karlsruhe, Germany. To recap, I’m here working with Bernd Lintermann, head of the Institute for Visual Media, and the Global Art and the Museum team lead by Andrea Buddensieg on a data visualization exhibition piece for The Global Contemporary: Art Worlds After 1989 exhibition opening this September. Storyboarding. Coding. Bumping along to an odd mix of the instrumentals-only version of Dr. Dre’s 2001 and the first three records from Squirrel Nut Zippers. Not to mention the two minute trailer for the Beastie Boys’ Fight for your Right—Revisited which seems to have the most incredible cast list ever, including what appears to be a DeLorean time machine. (“Sense is something you can’t even make sense of until you’ve been to the future and spent time there.”) So much more coding and sketching to do. Back at it now. —Stewart

It's Spring in Karlsruhe

Tuesday. 05 April 2011. 10:00 UTC
It’s that time again. Stewart is currently at the Center for Art and Media (ZKM) in Karlsruhe, Germany working with Bernd Lintermann, head of the Institute for Visual Media, and the ever-sharp Global Art and the Museum team. (Bobby will return to ZKM in June.) The result of this collaboration will be an immersive data animation of the art market—a strange and sometimes illogical economy of artists, curators, biennales, fairs, auction houses, and collectors—on display as part of the The Global Contemporary: Art Worlds After 1989 exhibition opening this September. But for now, it’s springtime. Trees. Leaves. Rain. Breezes. Sunshine. Bunnies. Storyboards. SQL. OpenGL. And so on. Unrelated: Seventeen years ago today there was an unhappy kid in Seattle. And then there wasn’t. How time passes.

ZKM Karlsruhe

Monday. 10 January 2011. 10:00 UTC
Stewart and Bobby have returned to ZKM (Center for Art and Media) in Karlsruhe, Germany to continue their collaboration with the Global Art and the Museum on a new data animation piece. The work will exist as a panoramic projection—opening this September at the museum. The two are constructing the animation in their own Bronson framework, initially developed for their work on the Exit (Terre Natale) collaboration in 2008 and incrementally enhanced and refined for later works such as Under Vine.

Under Vine greets 50,000th visitor

Thursday. 23 December 2010. 10:00 UTC
According to SFMOMA curator Harry Urbeck, our new data piece—titled Under Vine—has greeted over 50,000 museum visitors since the new exhibition How Wine Became Modern opened a month ago. Physical visitor numbers can seem strange in our cultural bubble dominated by web visitors. (For example, Browser Pong reached 50,000 unique visitors within just twelve hours of posting the URL.) We are very pleased with the physical foot traffic and wish everyone the happiest of holidays.

Under Vine data visualization at SFMOMA

Friday. 19 November 2010. 00:00 UTC
Under Vine, the latest collaboration between Robert Gerard Pietrusko of Warning Office and Stewart Smith of Stewdio will premiere this evening at the VIP opening of SFMOMA’s autumn 2010 exhibition How Wine Became Modern: Design + Wine 1976 to Now. Read more about this data visualization piece here.